From Roger’s friend, Graham
Greetings and welcome,
I hope that you’re thriving wherever you are in the world. A
quick update - I’m still working on part 2 of Roger’s poetry reading for
YouTube. In the meantime, I’m sharing some further reflections on his poetry.
A recurring theme in Roger’s work is an intimate
relationship with nature. His narratives explore
complex interconnectivity between animals, plants, environment and
self. Beyond the impressionistic imagery lies a deeper communion with nature aspiring
to the sacred. Roger’s inspiration flowed from this affinity with the natural
environment. He described it as pantheism - although it also shares ideals with
Jainism.
Both Roger and I grew up under the yoke of Christian
tradition - which we rejected in adulthood. But our reasons went beyond the
insidious anti-gay and misogynist bigotry lurking in certain Old Testament
tracts. It was the notion that humans stand alone in all creation as being
divinely inspired; uniquely housing a ‘soul’. That flawed foundation of ethics
which affords adherents free reign to exploit and enslave (so-called) lesser
creatures and desecrate the environment - while obviating responsibility as to
suffering or consequence. As with the other Abrahamic religions, Christian
dogma conjures the illusion of separation from, and elevation over the rest of
nature. (It also provides insight into ecclesiastical
hubris.)
The enlightenment of science teaches us that this is
fundamentally and evidentially wrong. We share 98.8% of our DNA with
chimpanzees - with whom we share a common ancestor 6-7 million years ago. We
can trace our evolutionary lineage on the tree of life back through millennia.
Our origin and purpose in the universe aren’t inscribed on tablets of stone,
but rather, recorded indelibly within strata of rock.
Humankind are not the animal kingdom’s divinely-ordained
overlords – we’re it’s caretakers; bearing that weight of responsibility. We’ve
close kinship to our fellow creatures. Who could gaze into the eyes of their
pet dog, their cat or other domesticated animals and not sense their emotional
complexity? Who could fail to acknowledge their affection, their joy or their
pain? It offers an inkling that we’re part of something bigger… part of Earth
Mother’s glorious magnum opus comprising all living things.
Roger’s nature poems recognise that we’re inextricably
interwoven into the tapestry of life; that we’re but threads within the greater
fabric of existence.
Take care,
Gx
* * * *
ANTHEM PLAYED ON A GRASS HARP
Watery sun dripping through trees,
leaves sparkling like jewels in a crown
where we’d wander, my love and I,
ears pricking up at a chick’s first cry,
looking out for others flapping their way
on first flights through dawn rainbows
till gliding with ease as nature meant
for us all, although less so among humans,
a species well known for thinking they
know better than Earth Mother, wishing
them ill (and Hell) who resist straitjackets
and persist in walking tall
On a magic carpet of many colours,
among daisies passing for fairies
in a palace of dreams, we’d go free,
where all prejudices and bigotry
mean less than a fair breeze in the face,
Earth Mother’s caress in the hair,
reminding us how we are, one and all,
as nature intended, no one creature
any more or less precious than another,
each, in their own way, a ‘live’
testament to mind-body-spirit and a history
lending meaning to eternity
We arrived where the carpet
tuned into stone, where no sun shining,
only Shadows, a gathering of forces
preparing to take humanity on and win
any fight it may choose to pick,
no matter rights and wrongs (or alternative
points of view); for them, a certainty
that the world has no place for men, women
and young people whose sexuality
offends a majority choosing to make stand
on a Ship of Fools in a gale force wind, set on
making sense of humankind
Oh, but spring in our hair like jewels in a crown
Love takes for its own!
Copyright R.N. Taber 2010 from the collection ‘On the
Battlefields of Love’. Revised 2021.
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