Showing posts with label painters. Show all posts
Showing posts with label painters. Show all posts

Saturday, 2 November 2019

Zen of the Seeing Eye

http://en.wikipedia.org/wiki/R._N._Taber

Today's post/poem is taken from my general poetry archives for April 2012. As regular readers know, I have health problems which I dare say go with the territory once a person turns 70+. Many thanks to those of you who have emailed to wish me well. So far, so good, as I am managing my pain levels and even getting out and about a bit with the aid of my trusty walking stick.

You will notice that I have dedicated the poem below to a gay-friendly artist friend, James Howard; I have known him since he was born, and now he and his wife will soon be parents. Wow, how time flies!

Admirers of James' art work will doubtless be interested to know that he has now created a kind of video diary on You Tube about confronting and overcoming everyday anxieties that can so often spiral into depression:

https://www.youtube.com/watch?v=vOoZiZKZnPM&t=50s

or: http://www.luckyluckydice.com

Many readers who access my poems about mental health issues, and rising above them, may well find James' site worth a visit, as I did. (Let's face it, such is the degree of homophobia worldwide that anxiety is - or has been, at some time in our lives - almost second nature to many if not most of us.)

Now, I know this is a poetry blog, but...

Many thanks to those of you who have been in touch to say they are also enjoying my fiction blog:

http://rogertaberfiction.blogspot.com

I am especially delighted that feedback on Dog Roses and Like There’s No Tomorrow has been so encouraging since I could not persuade a literary agent that they had anything to offer the reading public. Consequently, neither are available in print form, but I hope to upload them as e-books at a later date.

My latest crime novel - Catching up with Murder (Raider Publishing International, 2011)- is not a gay novel like Dog Roses or a gay-crime novel like Blasphemy or Sacrilege, but has a gay element in a story-line that frequently descends into black comedy. All my novels - published and unpublished - are serialised on my fiction blog which includes a second Fred Winter novel - Predisposed to Murder: http://rogertaberfiction.blogspot.co.uk/

Meanwhile...

I used to travel the UK giving poetry readings during the course of which I was invited to some lovely places and met some lovely people. Wherever I went, people would be busy photographing various beauty spots and aspects of nature that particularly caught the naked eye.  I rarely took any photograph as I was always too busy soaking in the atmosphere of a place, feasting on a history that nature has carefully archived and begs to be browsed. My inner eye would seek and find the raw material for a poem that would let me convey my deeper impressions of a place to share with others.

Every artist sees with his or her inner eye, whether writer, painter, musician, sculptor, whatever; the audience - reader, listener, observer - is thereby invited to do the same. So enjoy your photograph albums, but put your inner eye to work as well as your camera wherever you go. That way, we keep the felt as well as visual experience of places we have visited in mind and spirit always.

ZEN OF THE SEEING EYE
(For James Howard)

My skin is white, my skin is black,
fairer shades of yellow, darker shades of brown,
like leaves in milky sunshine come a storm
rearing like raging horses in heaven’s angry sea
for its children under threat, like me,
taking my cue from nature, mentor and guide,
only temporarily kept from harm
in the eye of a storm, sanctuary a fragile
prism of silence

My skin is white, my skin is black,
fairer shades of yellow, darker shades of brown,
like colours in a pallet before art
stakes its claim and transcends virginity
into a subtle blend of modernity
and spirituality comprising multi-aspects
of temporality stirred to direct
its inner eye to look and see, seek and find
what moves the human mind

My skin is white, my skin is black,
fairer shades of yellow, darker shades of brown,
camouflage for ingenuity and invention
though conspiracy and deception sometimes
making inroads where defences weakened
by a brooding inability to make the world hear
what we have to say, restore its pride
instead of some knee-jerk running away to hide
here, there, everywhere

Be fair to me in what or whom you think you see,
creative with even the plainer shades of humanity

[From: On the Battlefields of Love by R. N. Taber, Assembly Books, 2010]






Tuesday, 21 February 2012

Cops, Queers, and Caravaggio

http://en.wikipedia.org/wiki/R._N._Taber

I have been asked to repeat this poem (it last appeared on the blog in 2010) for ‘Seb and Karl’ who ...’met in similar circumstances some years ago.’

They have also asked if I would repeat the link to my poetry reading on the 4th plinth in Trafalgar Square in July 2009; my contribution to sculptor Antony Gormley’s One  & Other ‘living sculpture’ project during which I read some of my gay-interest poems among others:

http://www.webarchive.org.uk/wayback/archive/20100223121732/oneandother.co.uk/participants/Roger_T  [NB: Sept 19, 2019 - The British Library confirmed today that he video is no longer available as it was incompatible with a new IT system, However, it still exists and BL hope to reinstate it and make it available to the public again at some future date.] RNT ]

Karl and Seb add that (unlike me and the cop in the poem) they have been partners for twenty years to this very day. Congratulations to you both and a BIG HUG from yours truly.

The degree of homo-eroticism in much of Caravaggio's work and the fact that never married has led critics to speculate for years that he was probably gay, but ... who cares? At the end of the day, what has a person's sexuality to do with his or her character, skill or talent?

COPS, QUEERS, AND CARAVAGGIO 

We met in an art gallery,
enjoyed each other’s company
all day;
at his flat, we chatted over
coffee and, finally, he asked me
to stay;
although both nervous,
we made love, the two of us
in heaven...
nor just having fun;
good to be close to someone
again;
his mouth, warm and sensual;
an embrace far more than sexual
wanting me…
as more than a friend
but no mere means to an end
physically

He brought me breakfast
in bed and I turned a shade red
at his uniform;
I hadn’t asked about
his career, content just to be there
with him…
so it came as a shock
to see him dressed as a P.C.
for the beat;
tried to tell myself
it didn’t matter, heart all a-flutter
and cold feet;
at the door, a shy goodbye,
copper’s shirt and tie a brick
wall…
that crumbled with an embrace
as we saw, face to face, nothing
mattered at all

Lovers till he moved away;
friends to this day

Copyright R. N. Taber 2002; 2010

[Note: This poem has been (very) slightly revised since it appeared in First Person Plural by R. N. Taber, Assembly Books, 2002.]