Saturday, 30 November 2019

Earth Mother, a Carer called Hope

http://en.wikipedia.org/wiki/R._N._Taber

This poem/post is from my general poetry blog archives for January 2012. Life can be tough, cruel even, but hope springs eternal, and is always on hand to help us rise above it all...if we let it. Yes, sometimes our hopes are dashed, but Hope always has a plan B; look for it within a human spirit's greater predilection for peace and love, common to us all whatever our race, religion, gender, or sexuality; we have but to seek-find-listen-hear...our choice, our life, our future so let it be a triumph for positive over negative thinking, yeah?

Regular readers will know that many years ago, when I was in my early thirties, I had a severe nervous breakdown and became suicidal. I overdosed on paracetamol and was unconscious for thirty-six hours. I awoke in such pain that I somehow found the resolve to make my way to my nearby GP’s surgery but only recall telling a receptionist I had taken an overdose before I passed out again to wake up in hospital the next morning. 

It was stupid thing to do. Yet, desperation rarely if ever recognises stupidity. 

In hospital, I felt guilty and ashamed for taking up a bed and the nurses’ time. The nurses were brilliant and could not have been kinder, which made me feel all the more ashamed of what, after all, is a very selfish act. 

Yes, selfish. Yet, desperation rarely if ever recognises selfishness either.  

For the first and only time in my life, I saw a psychiatrist who was actually very helpful. [I have seen several who have been a complete waste of time.] It would be several years before I recovered sufficiently to think about finding another job, and years more before I began to feel all but fully recovered.  I have looked upon every day since as a bonus. 

I survived all this with the support of some good friends and a faith in Earth Mother of which I had  had temporarily lost sight in a maze of feelings to which I could scarcely relate, and where I had lost all sense of identity. Various factors contributed to this sorry state of affairs, not least growing up in a gay-unfriendly environment although this was but one of many; a significant hearing loss no one appreciated, including myself as a child and an appalling relationship with my father played their part. Even so, I was an adult and needed to take responsibility for myself instead of playing the blame game and sinking into self-pity. I like to think I learned that lesson as time passed and I got a life. 

Anyone driven to despair, whether or not they contemplate suicide, will know that it is hard if not impossible at the time to rationalise either cause or consequences. It is an illness for which the only cure must come from within. Yet, so often, those in despair fail to find the strength they need to go that last mile. But if strength fails them, so too does human nature. Even these days, mental illness is regarded with suspicion and scepticism. 

I was lucky to have some good friends and Earth Mother looking out for me.  My despair had been a long slow burning fuse that was bound to ignite a powder keg of sheer chaos in me sooner or later. There were casualties other than myself, and I can only hope they, too, survived to continue making the best of life, people and circumstances; a philosophy that saved me and taught me a valuable lesson. 

So if you know anyone caught up in a downward spiral of depression and despair, please don’t give up on them, but lend a helping hand to being them back to mainstream life. There are no shortcuts, and the journey is likely to be a long one; in my case, years, and I’ve still a way to go yet. I have travelled a long way along that road, and am grateful for all the help I’ve had in making every step. But among all the good memories, there will always be bad ones that will try to pull us down and sometimes succeed however hard we resist. 

When I started to recover from my breakdown, many people thought I was ‘cured’; as if I’d had a bad dose of flu and was now okay. 30+ years on, I hear from and about other people in much the same position. So much for progress in real terms; that is to say in human terms...


Earth Mother image taken from the Internet

EARTH MOTHER, A CARER CALLED HOPE

I sat by the sea contemplating suicide
when a woman in green came and sat by my side.
stayed quite still, didn’t say a word;
my head, it rang with a gull’s shrill cry
as if echoing the heart’s screaming to be left to die,
no hanging on to this useless body

The woman in green didn’t look at me
but continued to exude that youth, life and beauty
I’d once loved, become my enemy;
following her gaze to a misty horizon,
I entered into a way of seeing altogether unknown
where the sea wore a green velvet gown

Grey hair streaked with a sunset’s glow
above eyes as teasing a blue as those I used to know
and pink lips urging me not to follow;
where once the sea, now a patch of grass
beneath an old tree on whose leaves of painted glass
nature would work its magic for us

Vanished, just as suddenly as it came,
knowing memories will keep murmuring your name
(sea of grass, leaves of glass, the same);
suddenly, I am bursting with a desire
to live (even love?) again, like an autumn leaf on fire,
its story all but told, waiting on another

I laughed aloud, forgetting the Woman in Green
and turned to explain, but she had already gone

Copyright R. N. Taber 2011

Monday, 25 November 2019

The White Horse

http://en.wikipedia.org/wiki/R._N._Taber

A reader has asked me to repeat a poem on the blog that accompanies a video on my You Tube channel. Apparently, a friend showed her on a tablet, but she has been unable to access You Tube on her own PC for some reason. Always happy to oblige, the video appears below; readers who can access You Tube might enjoy some of my other videos. (All were shot by my best friend, Graham Collett, a graphic designer by profession.):

When I started my You Tube channel, my best friend Graham and I had no idea how to insert a voice file into the video. Consequently, early videos show me reading my poems while later efforts (as in this instance) have me reading my poem (or poems) over the video; most readers prefer the latter, so do we.  Graham works full-time, and I'm no photographer so opportunities for filming are limited. To be honest, we were not expecting much of an audience for a poetry channel so are well pleased that people continue to access and contact us about it. (See my email address in the blog heading.)


This video concludes Graham's snapshots of Wiltshire and a trio of poems I wrote for the occasion. The Westbury or Bratton White Horse is a hill figure in the escarpment of Salisbury Plain where Stonehenge stands. Approximately 2.5 km (1.6 miles) east of the village of Westbury, it is located on the edge of Bratton Downs and lies just below an Iron Age hill fort; its origin obscure, it is the oldest of several white horses carved in Wiltshire and was restored in 1778.

'A dog may be man's best friend, but the horse wrote history.' - Author unknown

Just as the White Horse endures, weathering nature and human nature in all its shapes and forms, for good or ill...so, too, will love and peace endure, weathering whatever storms that nay threaten not only its survival from time to time but that innate capacity for goodness and kindness comprising the quintessential human spirit.

LGBT folks are much abused worldwide - verbally and physically - but perhaps that is why we never take the kindness and respect of others for granted. Why, too, I suspect, we continue to have faith in human nature; most people act and speak up for its good side, one that will always get the better of its nemeses, among which prejudice against someone simply for their sexuality and/or the colour of their skin has to rate amongst the most vile. Mind you, there has always been ignorance in the world, and I dare say there always will be plenty of bigots around to prove it...

THE WHITE HORSE

A white horse lay on a hill,
watching the world go by;
bold and brave, it waits there still,
and no one knows quite why

This horse will never make a fuss
as we try for a closer look,
though it's sure to put teasers to us    
like pictures in a history book

In sun, wind and pouring rain
it doesn't make a sound
as the world turns and turns again
on Time's merry-go-round

At night, it rides the Milky Way
as wild and free as it can be,
till the first cold light of a new day
wakes all we slaves to reality

In days of war and uneasy peace
the Westbury horse waits on
druids, their like, and the rest of us
making our play for salvation

A chalk horse carved on a hill,
watching the world go by,
begs the question, dare, how, will
we ever know quite why...?


Copyright R. N. Taber 2012



Friday, 22 November 2019

L-I-F-E, Spelling us (All) Out

http://en.wikipedia.org/wiki/R._N._Taber

This poem is taken from my general blog archives for January 2015.

I will not be posting poems from any blog archives after today, but visitors are welcome to explore them on either or both blogs; archives go back ten years and are listed on the right hand side of any blog page. Meanwhile, I will continue to post new poems as and when I write them, but am giving priority to creating revised editions of my six poetry collections for readers to access online. This will take some time as I am very unwell these days although, as always, staying positive and looking on the bright side of life. Enjoy the archives, and if you know any poetry lovers feel feel free to recommend, everyone welcome.

Most if not all of us wonder at various stages in our lives just what lies in store for us, and how much of that may be down our own actions whenever giving thanks for the good times or finding excuses for the bad.  

What is the ultimate truth about human life, anyway, but a complex organism of mind, body and spirit embracing all that’s down to us, whomsoever, and whatever it is we like to call ‘fate’ (or God?) to spell out as we go, make sense of as we can, and heed or ignore as we choose.

L-I-F-E, SPELLING US (ALL) OUT

As a child,
I would play as a child,
cry as a child,
try to make sense
of a world I would never
understand

As a youth,
I explored the passion
of youth,
chasing its gods
through a world I struggled
to defend

As a young man,
I would point a finger
at bigotry,
tracking its origins
through looking glass wars 
all around

Older, little wiser,
I would run the gamut
of rogue truths
draining the body
for demanding centre stage 
of the mind

Mature. Human eyes
reassessing any potential,
fast tracking us 
to dog ears pricking up
at even the slightest breath
of ill wind 

Dead to all intents
and purposes, found wanting
for failing to clear
the table of leftovers
for history to make sense    
of a kind

Copyright R. N. Taber 2015


Friday, 15 November 2019

Addressing the Art of Being Human

http://en.wikipedia.org/wiki/R._N._Taber

This poem is from my general poetry blog archives for November 2012.

On September 15th 2005, a sculpture of artist Alison Lapper by Marc Quinn was unveiled in London's Trafalgar Square. The sculpture is a three-and-a-half metre-high representation of disabled artist Alison Lapper when she was eight months pregnant. ‘Alison Lapper Pregnant’ was chosen from a shortlist of six in March 2004 and remained on the plinth for 18 months.

“Marc Quinn has created an artwork that is a potent symbol and is a great addition to London,” said the Mayor of London, Ken Livingstone, who endorsed and unveiled the sculpture. “It is a work about courage, beauty and defiance, which both captures and represents all that is best about our great city. Alison Lapper pregnant is a modern heroine – strong, formidable and full of hope. It is a great work of art for London and for everyone.’

Many if not most people seem to have agreed with Livingstone and the sculpture took pride of place at the opening ceremony for the London 2012 Paralympics in September this year; like the Paralympics itself, it has no played no small part in changing attitudes towards disability for the better and totally undermining old stereotypes. We can but hope for the same from future Paralympics and a better press for disabled people worldwide.

'Alison Lapper Pregant' on the 4th plinth in Trafalgar Square, 2005

'Alison Lapper Pregnant' at the Paralympics opening ceremony, London 2012

This poem is a villanelle.

ADDRESSING THE ART OF BEING HUMAN

Triumph of spirituality,
come Earth Mother truly excelling,
transcending creativity

Magnificence of fertility;
against its critics, surely rebelling;
triumph of spirituality

An essential diversity
above any cultural-religious calling,
transcending creativity

An expression of equality,
(sexuality, disability, notwithstanding)
triumph of spirituality

An all-embracing dignity
with its human prejudices engaging,
transcending creativity

Ambassador for family,
no art of motherhood more telling;
triumph of spirituality,
transcending creativity

Copyright R. N. Taber 2012

Monday, 11 November 2019

Warned off

http://en.wikipedia.org/wiki/R._N._Taber

A new poem today. There will be few new poems published on the blog over the coming months while I am preparing revised editions of my poetry collections for publication online (as print poetry publishers never seem to be interested in volumes that include gay-interest material). 

Although my prostate cancer is under control for now, it will catch up with me one of these days and I would like people to be able to access my poetry since I suspect the blog may eventually disappear from the Internet. The British Library continues to archive my poetry blogs, but these will only be of any interest to serious researchers. Meanwhile, feel free to explore either or both blog archives and I will continue to carry some of these over from time to time, with the occasional new poem as and when time and inspiration permit.

HUGS, and many thanks for supporting the blog,

Roger

WARNED OFF

You said you loved me
and I so wanted
to believe you, but they warned me
that gay men don't do love

You said you needed me
and it felt so good
to be needed, but they warned me
that gay men don't do love

I felt safe in your arms
and so wanted
to stay, but my head kept telling me
that gay men don't do love

I dreamed of a you-me-us
and it felt so right,
but they warned me it could never be
since gay men don't do love

We shared an embrace
and I had to man up,
go for it (do or die) prove it for a lie,
that gay men don't do love

You said you loved me
and I dared the same,
as we set out to expose it for a fallacy
that gay men don't do love

Time, it was against us,
and parting us now,
but not before we'd shown each other
gay men can love, and how!

Parted, and yet not so
in a living dream
of past-present-future, everywhere I go
since we loved each other so

Copyright R. N. Taber 2019










Sunday, 10 November 2019

Last Post

http://en.wikipedia.org/wiki/R._N._Taber

This poem can also be found in my gay-interest blog archives for September 2010.

'They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them.' -  a stanza from 'For the Fallen' by Robert Laurence Binyon 
(1869-1943) as published in The Times newspaper on 21st September 1914.

Yes, let us remember always...not only our war dead and their families - among them, many LGBT people - but also those wounded in wars past and present and their continuing battle with pain just for getting on with their everyday lives in ways so many of us take for granted. We owe them, all of them ...and how!

Ah, but when will humankind ever learn? Oh, when will we ever learn...?

LAST POST

They shot me down on foreign soil
and the first sound I heard was a child’s cry
at the moment of birth
and I wished the child and parents well,
that they would see a kinder end
than me, wracked with pain, no less so
for knowing I would never see
either homeland or loved ones again
yet had done my best (can anyone
do more?) and had no regrets but one
about fighting a war like this

A continuing absence of peace

They lay a black cloth over my face
so I should not see comrades close to tears
for the worst of fears
we put behind us who fight such wars
as we don’t always understand
but do our duty though it be in a land
as far away from the pub
on the corner of our street as heaven
from hell where they all but meet
here in Afghanistan

A continuing absence of peace

They put me in a box and closed the lid
so I would not feel the tears of passing clouds
on the journey home
or hear the strains of the Last Post
acknowledge me gone
nor see the flags lowered as silent crowds
line the streets of a small town
taking me to their hearts as if I were one
of their own, as they have done
for others like me, making our journey
less lonely for this

A lasting empathy with peace

The first sound I heard as they lowered me
into the earth was a child’s cry at the moment
of birth and I wished the child
and parents well in a kinder world than this
that saw me fight to save it
from a hell of its own making, no less so
for centuries of tradition
and a culture of oppression seeking
to break free while keeping faith
with its finer principles and (far) kinder
ways than this

A continuing absence of peace

“A good person, worthy sacrifice, fine soldier...”
Too late, I cannot hear.

Copyright R. N. Taber 1999, 2010

This second poem is a villanelle, written July 2009 to mark the death of Harry Patch, the last British veteran of the First World War.

A FEELING FOR PEACE AND QUIET

On old Memory Lane, all is quiet
for those who fought a war to end war
so we may make our peace with it

Among cries of the fallen, a shout,
(At ’em lads, at ’em, that’s the score!);
on old Memory Lane all is quiet

They bore old age, faces firmly set
to do them proud who had gone before
so we may make our peace with it

We will always be in their debt,
dead and wounded on a foreign shore;
on old Memory Lane all is quiet

We must never even try to forget
those whose freedom’s colours wore
so we may make our peace with it

War, war and still more of it yet;
on the landscape of love, a weeping sore;
on old Memory Lane, all is quiet
so we may make our peace with it

Copyright R. N. Taber 2010

[Note: 'Last Post' first appeared on the Internet in Ygdrasil, an online poetry journal 1999; both poems are included in my collection On the Battlefields of Love by R. N. Taber, Assembly Books, 2010.]

Saturday, 9 November 2019

Covenant with Love

http://en.wikipedia.org/wiki/R._N._Taber

This poem appears in my general poetry archives for May 2012.

World AIDS day may be on Dec 1st, but the HIV-AIDS virus is among us all the time and those affected need our love and support every day.

Since being tested positive for prostate cancer in 2011, mind and spirit remain active, but my body doesn't want to know any more. No worries there, though, as I always enjoy falling back on feisty  memories and letting a poet's imagination, its wonders to perform...

COVENANT WITH LOVE 

Though saddened hearts would break
and HIV-AIDS a rising toll,
love, with loss, its peace shall make

See ripples spread for humanity's sake
come sun, moon, heart and soul
though saddened hearts would break

Where disease, fate, or age lives take,
anger, grief, like burning coal,
love, with loss, its peace shall make

See a light from dark, its prison break,
let better times roll…
though saddened hearts would break

Though we live for living’s own sake,
no matter affairs of the soul,
love, with loss, its peace shall make

Let the world’s worst its own forsake
and healing be our goal;
though saddened hearts would break,
love, with loss, its peace shall make

Copyright R . N. Taber 2007

[Note: An earlier version of this poem appears in Accomplices to Illusion by R. N. Taber, Assembly Books, 2007.]



Friday, 8 November 2019

Alt-Ctrl-Delete

http://en.wikipedia.org/wiki/R._N._Taber

This poem is from my general poetry blog archives for June 2012. Whoever, wherever we are in the world, we need to find a voice, make ourselves heard, challenge stereotypes and argue the case for change; reason against speculation and, yes, sometimes certain socio-cultural traditions too. As for religion, while it is important to respect a person's faith, there is a case to be made for challenging what, for many, is an inflexible approach to religious dogma. We are a diverse, common humanity; to be flexible is, surely, to simply uphold the basic principles of humanitarianism...?

Update (May 2016): Today’s poem was written in 1998 and first appeared in CC&D magazine, Scars Publications (USA) 1999. Scars now publish issues through Amazon which are printed in the U.K. and Europe. Given that Scars are now able to release it internationally, hopefully contributors and interested readers can enjoy ordering hard copies without paying an insane shipping price for mailing from the States any more. Interestingly, Scars publishes only non-rhyming or blank verse; they have published some 50+ of my poems since the late 1990's which is a healthy poetic exercise for me as I usually use rhyme a lot.  More information about Scars at: http://scars.tv/ccd.htm

This poem springs to mind whenever I am at the keyboard of my computer along with the constant threat to global as well as personal survival with which we all live daily thanks to humankind’s complacency regarding Green issues and sometimes a far too dogmatic approach to life, love, and every individual's right to a point of view...

ALT-CTRL-DELETE

Blank screen staring at me
like a dead man's eye
as if taken by surprise
at the moment of execution,
expecting pulse, heartbeat,
a flow of blood to the works
in spite of those quirks
of human nature that put a body
on hold whenever its world
ceases to turn, all civilization
gone to ash and dust, leftovers
of personal ambition

From inspiration, no help
to guide pen or brush;
Desolation, a lush wading
through risen waters
of the earth, baring pain
like a rose its petals
in acid rain, deserving better
at Nature’s hand
than a travesty of imitation driven
by Man’s jealousy of God
if only for being free of chains
(no human being exempt)

As melting ice caps start to flood
this world of ours, we can lose heart,
drown in its worst nightmares
(poet found dead at the keyboard)
or find a voice...

Our choice

Copyright R. N. Taber 1999; 2001

[Note: An earlier version of this poem appears in Love and Human Remains by R. N. Taber, Assembly Books, 2001.]






Thursday, 7 November 2019

Graffiti Art: Engaging with Shortcomings and Potential

http://en.wikipedia.org/wiki/R._N._Taber

Today's post/poem is taken from my general poetry blog archives for April 2012; few readers accessed both blogs then so I hope those whose interest has been  confined their interest to this one will enjoy it. I will continue posting archived poms from one blog to the other awhile longer, after which some readers may like to dip into the archives themselves as listed on the right hand side of any blog page.

‘Leo’ who describes himself as 'an aspiring poet' has asked me to repeat this poem, last seen on the [General] blog in 2010, because it ‘keeps me focused on the fact that there are more important things in life than wealth and ambition.’

I am happy to oblige, Leo, but bear in mind that there is nothing wrong with having wealth or ambition; it’s how a wealthy and/or ambitious person handles either or both that counts.

It is how we live and how far we try to compensate for our flaws (we are all but human) that defines who we are, not what we have or don't have; regardless of race, religion, sex or sexuality; such is the art of being human,

This poem is a villanelle.

GRAFFITI ART: ENGAGING WITH SHORTCOMINGS AND POTENTIAL

I have worked with rhythm and rhyme
as poets for centuries have done,
building bridges on a river called Time

Where they fell at some god’s first crime
on killing fields of the sun,
I have worked with rhythm and rhyme

For all those cut down in their prime,
let’s redeem the bloody deed done,
building bridges on a river called Time

Like a lotus rising from the world’s slime,
symbol of a spirited imagination,
I have worked with rhythm and rhyme

Let past and future, great players of mime
embrace audience participation,
building bridges on a river called Time

No dark toll where goat bells gaily chime
(echoes of the Parnassus run);
I have worked with rhythm and rhyme,
building bridges on a river called Time

Copyright R. N. Taber 2010


[Note: First published under the title ‘ A Poet’s Take on Eternity’ in Far and Wide: Forward Press Regional Collection, 2010]

Tuesday, 5 November 2019

Poetry, Rites of Way OR Engaging with Mind-Body-Spirit

http://en.wikipedia.org/wiki/R._N._Taber

This poem is taken from my general poetry blog archives for April 2014. At the moment, I am very unwell and not up to composing new poems; many if not most  readers seem to appreciate my posting poems from one blog's archives on the other so I will continue to do so for now rather than publish nothing new at all. To those open-minded poetry lovers who have always shown an interest in both my general and gay-interest blogs, all I can ask is that you bear with me while I work on a new poem.

Now, I am often asked why I write poetry. While I think of myself as a poet who happens to be gay rather than a gay poet, the gay input to my poetry is especially important to me. Hopefully, gay readers will enjoy relating to it, if only in part, while the less gay-friendly heterosexual reader is invited to put aside any outdated, misleading, and often offensive stereotypes that continue to attach themselves to the whole gay ethic in the minds of the less enlightened.  Much the same can be said of my approach to fiction; I haven't written many novels and none have been bestsellers although they sold well and while feedback was mixed, it was  mostly appreciative; as with my poetry, I have tried to reach a mixed readership, and enjoyed every minute of it. 

Now, although I enjoy socialising, I am also a very private person. I have never kept a journal because I hate the idea of anyone accessing details of my private life and thoughts when I am no longer around to qualify what I wrote. At the same time, my poems are journal pages of a kind; few are strictly autobiographical, but each and every one turns on the kind of person I am, warts ‘n’ all.

Many of my poems have been inspired by conversations with all sorts of people - men and women, gay and straight alike - who have told me about themselves as this bar, that bus queue…wherever. The subsequent poem is as much their story as mine. At the same time, how I chose to write the poem illustrates my train of thought upon hearing and often relating to what they had to say and mulling it over for hours, weeks, months, and even years. My fiction takes shape in much the same way although I, personally, find poetry both more expansive and inclusive. Any readers interested, may like to visit my fiction blog sometime, details at:

https://rogertaberfiction.blogspot.com/2016/05/news-updates-fiction.html

Writing poetry, like any creative process, exercises the inner eye in seeing even what is sometimes considered (by whom?) best overlooked. We all need to see and feel in order to try and understand; every artist wants to share his or her insight, feelings, and subsequent understanding - flawed though it may well be - with others.

Past-present-future, the poetry of yesterday-today-tomorrow, the stuff of dreams and personal space, seeing as through ... whatever.

Oh, and, by the way, I was born on a sloping dead-end street.

POETRY, RITES OF WAY or ENGAGING WITH MIND-BODY-SPIRIT

When this life ceases to be,
my spirit left to feed on eternity,
what will they think of me
who drank my wine at table,
doubted I was even able
to write at all or, at least, as well
as one might who always
kept Mount Parnassus in sight,
despite the English climate?

Oh, I dare say they were right,
but I’ve so enjoyed being a poet,
lapping up all criticism, praise,
scepticism, quips about simplicity,
a serious lack of intellectuality,
how gay-interest poetry undermines
a proud genre’s finer integrity,
compromises the very aesthetic
of its history and spirituality

I've heard it’s a cardinal sin
to lower the tone, let anyone in
on a poem, its place in the arts
intended to impress, access
only partly allowed or its mystery
all but solved, and that way
(surely?) anarchy lies. Whatever,
a poet will always have the edge
on Mr, Mrs, and Ms Average

Although but mortal, mind and body
expect more of the human spirit

Copyright R. N. Taber 2005; 2012

[Note: An earlier version of this poem was mistakenly published under its draft title 'Requiem for a Poet' in A Feeling for the Quickness Of Time by R. N. Taber, Assembly Books, 2005.]

Monday, 4 November 2019

An Affinity with the Life-Force of Dead leaves

http://en.wikipedia.org/wiki/R._N._Taber

A new poem today for autumn, and falling leaves everywhere (not confined to autumn) in a very blustery wind.

We all feel low sometimes. Only yesterday, I found myself relating to a dead leaf in the street, heading for a drain; a depressing experience until I reminded myself that it was not the end of the last leaf in the whole world; others would follow in an endless cycle of life and death where dying is not so much the beginning of the end but a way of leaving space for new beginnings.

An old man who lived on the street where I was born and lived until I was 14 years-old told me once that I should never fear death but think of it as a life-force. He was not a religious person so I thought his 80-something years must have taken their toll or perhaps it was just wishful thinking. (He died only weeks later.) It has taken me more than half a century to understand what he meant.



AN AFFINITY WITH THE LIFE-FORCE OF DEAD LEAVES

I drifted lonely as a leaf
left to fare as it will on a wintry breeze,
perhaps (who knows?) missing
its parent tree, the company of siblings,
playing host to feathered friends
as long as their seasons last, world
a happier place if only a kinder nature’s
wistful take on it

Who can ever say (for sure)
a leaf cannot think, feel, experience
the ebb and flow of life
in ways only Earth Mother knows
who gives, takes away,
and gives back again when the time
comes to renew her vows to humankind
at each spring blessing?

I watched the leaf sucked
into a drain, lost forever among sewage
beyond salvaging (who knows?)
as I feel myself sucked into a vortex
scaremongers call Old Age
where the hope is we’ll be saved  
as lovingly pressed collectables between
pages of living memory

Did it feel rejected, the leaf,
and was it glad to drown in a dark sewer
where all the world’s garbage
flows into its seas, as likely to kill off 
countless life forms as the shrewd
property developer felling trees
or an old poet infecting imagination
with its worst fears?

Back home, a glossy magazine,
repudiating my distress as bold as brass
with the latest fashions pics,
celeb gossip, ideas to impress the boss,
tips on keeping old age at bay;
in the garden, leaves faring better  
than a gutter (compost) giving glossy
a good run for its money

Copyright R. N. Taber 2012

Sunday, 3 November 2019

Disaffected Youth, Wasted Lives

http://en.wikipedia.org/wiki/R._N._Taber

This poem is taken from my general poetry blog archives for September 2014; archives are listed on the right hand side of the appropriate blog's page.

Most young people - whatever their race, culture, religion, gender or sexuality - are decent, honest, and hardworking, but there is also high unemployment among young people and that leaves some disaffected with society so they join gangs or become targets for radicalisation; violence becomes a way of life until something (or someone) happens that helps them back into mainstream life and a more positive, fulfilling sense of personal identity.

Many young people have to deal with various prejudices in their society while still in the process of growing up and having to come to terms with its harsher realities; where the latter affect them personally, they may well also suffer rejection or the fear of rejection by family and/or peers, as a consequence of which they turn to drugs and/or crime by way of concealing a deep-rooted inferiority complex, even shame, where neither are applicable but for the worse aspects of human nature prevalent in societies worldwide for centuries.

We hear much talk of 'progress' in this 21st century of ours, but invariably with reference to science and technology; sadly, human nature has not progressed anywhere near enough despite the efforts of the many good people in the world able to take others as they find them without rushing to artificial judgement as prescribed by various socio-cultural-religious conventions or dogma.

While there is no excuse for violence, it is high time politicians, religious and community leaders among others (parents, too) looked more closely at its roots and took responsibility where society is failing so many of its young people. Some do, but rhetoric is not enough; actions really do speak louder than words. 

This poem is a villanelle, written in 2014 so its content is nothing new; what is new are successive cutbacks in spending (here in the UK at least, since the financial crisis of 2008)) on such related national and local Government budgets as make provision for policing, extra curricular activities in schools, youth centres, apprenticeships, grants for professional and vocational training places etc. I rest my case...

DISAFFECTED YOUTH, WASTED LIVES

Got my hands on a knife, a gun,
spread the word,
didn’t ask who’ll carry my coffin

Shouting at just about everyone,
no one heard;
got my hands on a knife, a gun

Needed to prove I was someone,
earn street cred;
didn’t ask who’ll carry my coffin

At first it gave me a buzz, was fun,
but all that disappeared;
got my hands on a knife, a gun

A gangster movie set let me down,
(mustn't show I'm scared)
didn’t ask who’ll carry my coffin

Macho mates weep to see my crown
dripping blood ...
Got my hands on a knife, a gun,
didn’t ask who’ll carry my coffin

Copyright R. N. Taber 2010

[Note: This poem is a villanelle, written in 2010 so its content is nothing new; what is new are successive cutbacks in spending (here in the UK at least since the financial crisis of 2008) on such related national and local Government budgets as make provision for policing, extra curricular activities in schools, youth centres, apprenticeships, grants for professional and vocational training places etc.]







Saturday, 2 November 2019

Zen of the Seeing Eye

http://en.wikipedia.org/wiki/R._N._Taber

Today's post/poem is taken from my general poetry archives for April 2012. As regular readers know, I have health problems which I dare say go with the territory once a person turns 70+. Many thanks to those of you who have emailed to wish me well. So far, so good, as I am managing my pain levels and even getting out and about a bit with the aid of my trusty walking stick.

You will notice that I have dedicated the poem below to a gay-friendly artist friend, James Howard; I have known him since he was born, and now he and his wife will soon be parents. Wow, how time flies!

Admirers of James' art work will doubtless be interested to know that he has now created a kind of video diary on You Tube about confronting and overcoming everyday anxieties that can so often spiral into depression:

https://www.youtube.com/watch?v=vOoZiZKZnPM&t=50s

or: http://www.luckyluckydice.com

Many readers who access my poems about mental health issues, and rising above them, may well find James' site worth a visit, as I did. (Let's face it, such is the degree of homophobia worldwide that anxiety is - or has been, at some time in our lives - almost second nature to many if not most of us.)

Now, I know this is a poetry blog, but...

Many thanks to those of you who have been in touch to say they are also enjoying my fiction blog:

http://rogertaberfiction.blogspot.com

I am especially delighted that feedback on Dog Roses and Like There’s No Tomorrow has been so encouraging since I could not persuade a literary agent that they had anything to offer the reading public. Consequently, neither are available in print form, but I hope to upload them as e-books at a later date.

My latest crime novel - Catching up with Murder (Raider Publishing International, 2011)- is not a gay novel like Dog Roses or a gay-crime novel like Blasphemy or Sacrilege, but has a gay element in a story-line that frequently descends into black comedy. All my novels - published and unpublished - are serialised on my fiction blog which includes a second Fred Winter novel - Predisposed to Murder: http://rogertaberfiction.blogspot.co.uk/

Meanwhile...

I used to travel the UK giving poetry readings during the course of which I was invited to some lovely places and met some lovely people. Wherever I went, people would be busy photographing various beauty spots and aspects of nature that particularly caught the naked eye.  I rarely took any photograph as I was always too busy soaking in the atmosphere of a place, feasting on a history that nature has carefully archived and begs to be browsed. My inner eye would seek and find the raw material for a poem that would let me convey my deeper impressions of a place to share with others.

Every artist sees with his or her inner eye, whether writer, painter, musician, sculptor, whatever; the audience - reader, listener, observer - is thereby invited to do the same. So enjoy your photograph albums, but put your inner eye to work as well as your camera wherever you go. That way, we keep the felt as well as visual experience of places we have visited in mind and spirit always.

ZEN OF THE SEEING EYE
(For James Howard)

My skin is white, my skin is black,
fairer shades of yellow, darker shades of brown,
like leaves in milky sunshine come a storm
rearing like raging horses in heaven’s angry sea
for its children under threat, like me,
taking my cue from nature, mentor and guide,
only temporarily kept from harm
in the eye of a storm, sanctuary a fragile
prism of silence

My skin is white, my skin is black,
fairer shades of yellow, darker shades of brown,
like colours in a pallet before art
stakes its claim and transcends virginity
into a subtle blend of modernity
and spirituality comprising multi-aspects
of temporality stirred to direct
its inner eye to look and see, seek and find
what moves the human mind

My skin is white, my skin is black,
fairer shades of yellow, darker shades of brown,
camouflage for ingenuity and invention
though conspiracy and deception sometimes
making inroads where defences weakened
by a brooding inability to make the world hear
what we have to say, restore its pride
instead of some knee-jerk running away to hide
here, there, everywhere

Be fair to me in what or whom you think you see,
creative with even the plainer shades of humanity

[From: On the Battlefields of Love by R. N. Taber, Assembly Books, 2010]






Friday, 1 November 2019

In the Company of Dolphins

http://en.wikipedia.org/wiki/R._N._Taber

Today's poem and much of the original post is taken from my general poetry archives for February 2013. [Blog archives are listed on the right hand side of any page.]

I have been asked to repeat the link  to my poetry reading on the 4th plinth in Trafalgar Square during the summer of 2009  as part of sculptor Antony Gormley's One and Other 'live sculpture' project. At first, I am shown being lowered by crane to the plinth and it is a good five minutes before the reading starts: http://www.webarchive.org.uk/wayback/archive/20100223121732/oneandother.co.uk/participants/Roger_T  [NB: Sept 19, 2019 - The British Library confirmed today that he video is no longer available as it was incompatible with a new IT system. However, it still exists and BL hope to reinstate it and make it available to the public again at some future date; they also confirmed that they will continue to archive my blogs.

Meanwhile...

This short poem is about love and friendship and being there for loved ones and friends when they need us. .It is also about the lasting power of love and friendship, important to us all, regardless of gender, sexuality, race or religion, and bringing people together worldwide.


There is a saying that what goes around comes around. We never know when it will be our turn to need help. People for whose idea of love and friendship is a one-way street (and there are plenty out there who expect us to be there for them but rarely if ever reciprocate!) would do well to remember that.

IN THE COMPANY OF DOLPHINS

I think of us at twilight’s gentler tears
on flowers in a pretty garden, glistening
like ocean spray in spring sunshine…
In the mind’s eye, I see survivors
clinging to the wreckage of a ship that
safe harbours will never greet again,
and dolphins come like guardian angels
to redeem a fate demanded by storm clouds
riding old Poseidon’s back

Now calmer seas, survivors washed up
on kinder shores, dolphins gone, task done.
Lost souls saved at godly whim?
I know not, can but let heart and mind
wish the company of dolphins to bring us
safely home…and though that be left
to this sad world’s darker poetry,
may love’s light shine through twilight’s
gentler tears on us

[From: Accomplice To Illusion by R. N. Taber, Assembly Books, 2007]