https://en.wikipedia.org/wiki/R._N._Taber
I once managed to extricate myself
from a contract with a poetry publisher with which I became more and more
unhappy as time passed; a member of its editorial team even asked me to shorten
some longer poems to fit the page. I responded that a poem becomes a living
organism as soon as a reader engages with it, and what they were asking was
tantamount to an amputation.
I well recall how, many years ago,
my English teacher, 'Jock' Rankin asked the whole class (of teenage boys) to
write a poem for homework. "It doesn't have to include any
rhyme," he added for the benefit of those of us who were under the
impression that rhyme was compulsory for all poems.
Yours truly rose to the challenge,
but few others submitted anything, complaining along the lines of "I don't
have a poem in me, sir, it's just not me." The same cry could be heard
again after some poems were read out in class later in the week, and Jock
expressed disappointment in relatively few people having made the effort.
"There is a poem in all of us," he insisted, "We just have to
tap into that aspect of ourselves which is especially meaningful to us, and the
chances are there will be a poem there champing at the bit to get out. Come on,
you sporty types, let's have a sporty poem from you or any of you with hobbies
you love, let's see what you can do.
The response this time was an
eye-opener as everyone managed to write a poem, even the more bullish and macho
among us; indeed, they were the proudest and more boastful of their achievement.
Gone forever was the notion that writing and enjoying poetry was 'a girly
thing'.
"You see," said a
well-pleased Jock, "...there are as many subjects for a poem as there are
people, each one with something different to say. We may like, dislike agree or
disagree with what it has to say, but that's life, each to their own points of
view. Whatever, that poem or point of view struggling to get out of us deserves
to be free to say its piece, right?" "Yes, sir"
everyone yelled at once.
Poetry, no more or less than prose,
has a million voices; if you haven't yet found yours, why not choose a
collection of poems when you next visit your local public library and I bet
you'll find at least one that not only stirs the imagination but that
suffocating silence within that's desperate to break out into words and
feeling, and find an audience; an audience of one is often more than enough to
ignite the flames of much-needed communication.
Sadly, poetry is not considered
commercially viable, poetry on a gay theme even less so even in this s0-called
Age of Equality and Freedom of Speech; it is also an Age of Capitalism, of
course. Yes, dear readers, I will almost certainly be self-publishing my next
collection, if only out of interest to see how well (or badly) a few hundred
volumes will sell Later, as I have said before, all my poems will be
available online as I suspect my blogs will disappear once yours truly has gone
walkies with the Grim Reaper. wry bardic grin
I'M A POEM, GET ME OUT OF
HERE or CLOSET VOICES
Why any heartbeat
demanding mind-body-spirit
free it from its closet,
left to go wherever it will,
no slave to hypotheses,
but deserving better,
not least to find a voice,
and ways to make itself heard
by the poet within
What is this sound,
like the cry of a lost child
negotiating its way
all but blindly along frantic
highways and byways
whose names but posturing
as spelling lessons
in its past-present-future eager
to make itself felt?
What is this presence
calling on inarticulate reason
for expression, as clear
at first as dawn mist reluctant
to let any sunshine
into a persona grown frantic
for a comfort zone,
offering as close a sense of safe
and sound as any?
Why this falling apart,
now closing any yawning gaps
in a consciousness,
weathering mist and murk,
only to find itself
burning bridges across rivers
of rising passion,
anxious to find release in at least
explaining the smoke?
No end in sight - lost;
left to others to find and help me
if they can, or have time
to let a poem give self-awareness
a clear heads-up
for negotiating the complexities
likely to characterise
any literal or existential
soundings
taken from a human heart
Copyright R. N. Taber 2012
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